Take a look at our current subscription offers.
Joaquín Rodrigo
1901 – 1999
Joaquín Rodrigo discovered a way of bringing Spanish music into the 20th century. His solution was to exploit singable melody and to use traditional orchestral timbres; or as the musicologist Tomas Marco puts it: "In form, harmony, melody and rhythm, Rodrigo's work might be broadly classified as neo-classical."
Life and Music
- Born in Sagunto, Valencia in 1901, Rodrigo fell victim to a diphtheria epidemic when he was just three years old, which left him almost totally blind (his sight was completely gone by 1948).
- The disability was the determining factor in Rodrigo's devotion to music, and, for the practicalities of composing, his companion Rafael Ibanez took musical dictations and made copies of his work.
- Rodrigo's first big break came in 1924, when the Valencia Symphony Orchestra performed his orchestral work Juglares (Minstrels), and his musical training began in earnest in 1927 when he went to study under Paul Dukas at the Schola Cantorum in Paris.
- In 1933 he married the gifted young Turkish pianist Victoria Kamhi, who became his constant companion and inspiration while managing his career.
- Rodrigo spent the Spanish Civil War years (1936-9) in Paris and Germany, refining his unashamedly melodious style.
- In Madrid in 1939, Rodrigo's first important composition emerged: the Concierto de Aranjuez for guitar and orchestra, the success of which cast a shadow over much of his subsequent work.
- Shortly after the war Rodrigo's achievements were officially recognised, when he became Professor of Music at Madrid University. This appointment opened the floodgates for a series of compositions over the next two decades which confirmed him as Spain's greatest living composer.
- His many solo guitar and piano works are still unfairly neglected, with perhaps one honourable exception: the Tres piezas espanolas (1954). This is civilised music, beautifully written and - that greatest of 20th-century horrors - easy on the ear.
- It was not until Manuel and his Mantovani-style Music of the Mountains enjoyed chart success in the early Seventies with a popular adaptation of the Concierto de Aranjuez, that Rodrigo became a household name.
- By now Rodrigo was in his seventies and entering, in effect, his 'Indian summer' - travelling widely and receiving prizes, medals and honorary degrees from around the globe. It is difficult to imagine that scores with the rhythmic vitality and melodic freshness of the Concierto como un divertimento for cello and orchestra and the Concierto para una fiesta for guitar were the work of a composer in his early eighties.
- In his home country he is viewed as something of a national hero, with countless streets and squares being named after him.
Did you know?
Rodrigo named his daughter Cecilia after the patron saint of music. Rodrigo himself was born on St. Cecilia's Day. Cecilia went on to marry virtuoso violinist Agustin Leon Ara, who has recorded many of Rodrigo's works.



