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Charles-Marie Widor
1844-1937
Widor is known for his Toccata above all other works, but he composed symphonies, concertos, operas, chamber music, choral works and songs.
Life and Music
• Widor was born to play the organ: his father was an organist and organ builder, just as his grandfather had been.
• Widor could count himself as a great-great-great-grand pupil of J.S.Bach, whose organ music was to become central to his musical life.
• His most important contribution to music history rests in the mammoth works he wrote between 1872 and 1900: the 10 Organ Symphonies.
• Widor’s choice of the term ‘symphony’ is unusual, since the works are for solo organ. He chose it to reflect the music’s sonority: the huge organs developed by his friend Aristide Cavaillé-Coll revolutionised the art of organ building and were capable of producing a previously undreamt-of range of orchestral colours.
• Having succeeded his father as organist in Lyons, Widor, at the age of only 26, was appointed to the prestigious post of organist at Saint-Sulpice, Paris, where he remained for an astonishing 64 years.
• It was at the Saint-Sulpice that he recorded his famous Toccata, at the age of 88.
• His Toccata provided the model for a string of other spectacular French organ toccatas.
• Essentially a musical conservative, he ignored the revolutionary works of his French contemporaries Debussy and Ravel, and survived as a fossil from the 19th century until his death in 1937 at the age of 93.


